arts, ideas & societyanalysisThe Public Domain Review1770s · London, England

London's 1770s 'macaronis' wore huge wigs and shaped how Britain talked about same-sex desire

the gist

In 1770s London a new figure appeared: the macaroni, a young man with an enormous wig, painted face and dainty clothes. Macaronis took their name from the pasta, as a symbol of Italian-influenced fashion picked up on the Grand Tour. Satirical prints mocked them as effeminate and foreign. Their appearance coincided with scandalous trials for sodomy, and the stereotype became linked to same-sex desire. This brought public discussion of the subject into print culture decades before Oscar Wilde's trials.

so what

The macaroni shows how fashion, class and ideas about gender and sexuality were entangled, and how caricature shaped public attitudes.

fun fact

The song 'Yankee Doodle' mocks the colonial soldier who stuck a feather in his cap and called it macaroni.

more on this

background

"Macaroni" (formerly spelled "maccaroni") was a pejorative term used to describe a fashionable fellow of 18th-century Britain. Stereotypically, men in the macaroni subculture dressed, spoke, and behaved in an androgynous manner. The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire.

From Wikipedia: Macaroni (fashion) (CC BY-SA 4.0) ↗

Image: The Public Domain Review