
historyThe Public Domain Review1925 · United States
The 1925 film The Lost World used stop-motion dinosaurs that impressed Houdini and audiences
The Lost World, released in 1925, is a silent adaptation of Arthur Conan Doyle's 1912 novel about an expedition to a plateau where dinosaurs survive. Its dinosaurs were made by Willis O'Brien using stop-motion animation, moving model figures frame by frame. In 1922 Doyle showed a test reel to the Society of American Magicians, including Houdini, and the audience watched Triceratops, Allosaurus and Stegosaurus footage. The film was also the first shown to airline passengers, on a 1925 London to Paris flight. It influenced dinosaur films that followed, including King Kong.
Stop-motion animation moves a model a tiny amount between each photographed frame, so when the frames play back the creature appears to move on its own. O'Brien used jointed models and miniature sets, a method that made dinosaurs look real on the screen of the time.
The film established stop-motion as a primary special effect and proved that audiences would pay to see dinosaurs on screen. Its techniques were refined for King Kong, and its approach is the ancestor of the later dinosaur film boom. Before computer graphics, this kind of model animation was the only way to show moving prehistoric creatures.
Special effects have repeatedly made monsters from the past feel real, from stop-motion creatures to CGI dinosaurs in the Jurassic Park films, each building on the technique before it.
The Lost World was screened to passengers on a 1925 Imperial Airways flight between London and Paris, one of the first films shown in the air.
Image: The Public Domain Review
