arts, ideas & societyanalysisThe Public Domain Review1968 · Pennsylvania, USA
Night of the Living Dead turned zombies into the slow, flesh-eating undead we know
The idea of a reanimated corpse reached Western audiences through William Seabrook's 1929 book The Magic Island, which described Haitian voodoo. Early Hollywood films such as White Zombie in 1932 used those stereotypes, with mindless servants controlled by a sorcerer. George A. Romero's 1968 Night of the Living Dead, made cheaply in Pennsylvania, gave the genre its familiar form: slow, relentless ghouls who want to eat the living. Its story of strangers trapped in a farmhouse, with a Black protagonist, also made the film a social allegory. The creatures are explained as irradiated, reflecting Cold War fears of nuclear anxiety and the unrest of the time.
Romero's film set the template for modern zombie fiction, from video games to television. Its allegorical use of horror about society and race made the genre a vehicle for social criticism.
The film never uses the word zombie; the creatures are simply called ghouls.
Image: The Public Domain Review
