
arts, ideas & societyThe Public Domain Review1506–1872 · Italy
Renaissance scholars measured Dante's Hell in miles and Lucifer in metres
Readers have tried to map Dante's Divine Comedy for centuries. The Florentine polymath Antonio Manetti calculated that Hell was about 3,246 miles wide and 408 miles deep, and his woodcuts appeared in a landmark 1506 edition. In 1588 Galileo, then young, estimated Lucifer's height at about 1,200 metres and his arm at about 340 metres, and compared the vaulted ceiling of Hell to the dome of Brunelleschi. The later nineteenth-century maps of Michelangelo Caetani drew the Inferno as a cutaway of geological-looking circles, Purgatory as a terraced mountain, and Paradise as nine spheres around a funnel-shaped rose. Each plate turns the poem's structure into a single visible design.
These diagrams show how readers have used measurement and visual models to make a poem's imagined universe concrete. Galileo's calculation is an early example of applying physics to a literary work.
Medieval and early modern commentators routinely described Hell and Heaven in geometric terms, following the tradition of ancient cosmology that placed Earth at the centre of concentric spheres.
Image: The Public Domain Review
