historyThe Public Domain Review1918–1922 · Munich and Dresden, Germany
Oskar Kokoschka had a life-size doll made of his former lover Alma Mahler, and it came out like a shaggy polar bear
After Alma Mahler married Walter Gropius, the painter Oskar Kokoschka, still obsessed with her, asked the Munich puppet maker Hermine Moos in 1918 to build a life-size doll resembling her. He sent detailed instructions, including skin like peach and hair on the intimate parts, and the letters were later published in a book called Der Fetische. Moos's doll was built from papier-mache, sawdust and a swan-skin covering, and when Kokoschka unpacked it he complained it looked more like a polar-bear pelt than a woman. He still took it to cafes and parties, painted it in several works, and later remembered the moment with rapture. Within a few years he had beheaded the doll in a rage.
The episode is a vivid case of how an artist's obsession with a real person can spill into his work, and how the lines between portrait, fetish and fantasy blurred in early modernism. Kokoschka's later paintings with the doll are now studied as a record of that obsession.
Oskar Kokoschka was an Austrian painter and playwright who became one of the leading Expressionists of early twentieth-century Vienna.
background
Oskar Kokoschka (Austrian German: [ˈkɔkɔʃka]; 1 March 1886 – 22 February 1980) was an Austrian (though, at times during his life, he had also Czech and British citizenship) artist, poet, playwright and teacher, best known for his intense expressionistic portraits and landscapes, as well as his theories on vision that influenced the Viennese Expressionist movement.
From Wikipedia: Oskar Kokoschka (CC BY-SA 4.0) ↗see
key facts
- Born
- 1 March 1886
- Died
- 22 February 1980
- Known as
- painter, playwright
Facts: Wikidata (CC0)
Image: The Public Domain Review
