pop & funanalysisThe Conversation: Pop music1960s · Detroit, USA
Motown’s Black women songwriters and producers were the invisible architects behind the pop music juggernaut
Motown's 1960s sound was built by women whose names rarely reached the public. Janie Bradford, one of the five founding members who joined in 1958, was the label's first secretary and first female songwriter, and she co-wrote Money (That's What I Want) with Berry Gordy. Recorded by Barrett Strong and released in 1959, it became Motown's first hit on the R&B chart and the Billboard Hot 100. Raynoma Gordy Singleton handled the paperwork that incorporated the company, found the house at 2648 West Grand Boulevard that became its headquarters, and became its first female arranger and producer. Producer credits signalled legitimacy, yet women were mostly kept in administrative roles, so much of their work went uncredited.
Motown is usually told as a story of star singers, but its catalogue depended on writers and producers working behind the scenes. Recognising them changes how the label's hits were made. It also fits a wider pattern in 1960s pop, where credits and recognition rarely matched who did the creative work.
The house on West Grand Boulevard in Detroit where Motown began is now preserved as the Motown Museum.
The Conversation
Illustrative photo · DiscoA340, CC0, via Wikimedia Commons
