
historyanalysisThe Public Domain Reviewearly 1800s · London, England
Frankenstein drew on real 1800s debates about death and galvanic electricity
In the early 1800s people were unsure where death ended, and the Royal Humane Society, founded in London in 1774, trained people to resuscitate drowning victims. Luigi Galvani had shown that electric sparks could make frog legs twitch, and his nephew Giovanni Aldini applied the idea to executed criminals. In 1803 he stimulated the body of George Forster, who had been convicted of murder, and observers reported an opened eye and moving limbs. Surgeons also argued over whether life was a separate vital principle or simply the working of the body's parts. Mary Shelley drew on these ideas when she imagined a creature brought to life.
Galvanism uses electric current to stimulate nerves and muscles, which contract when shocked. It does not restore life, but it can make a dead muscle move, which is what Aldini's demonstrations showed.
Frankenstein draws on real anxieties about death, burial and electricity, which explains why the novel felt plausible to its first readers and still does.
Fear of premature burial was widespread in this period. A 1843 design for a life-preserving coffin included breathing holes and an easy-open lid for people who might be buried alive.
Mary Shelley's mother, Mary Wollstonecraft, once leapt from Putney Bridge into the Thames.
Image: The Public Domain Review
