historyanalysisThe Conversation: Arts + Culture (US)late 1800s · United States
Censorship campaigns can have a way of backfiring – look no further than the fate of America’s most prolific censor
Anthony Comstock, a devout evangelical, helped secure the first federal anti-obscenity laws with enforcement powers in the late 19th century. As a Post Office inspector he pursued materials he considered sinful, including birth control information, abortion aids, certain art, books and newspapers, and officials could seize them and prosecutors could indict. His campaigns did increase prosecutions and self-censorship, but they also made banned works famous. Nude art and racy entertainment often gained popularity after he targeted them. His overreach, such as an attempt to shut down a George Bernard Shaw play in 1905, left him ridiculed.
Under federal and state obscenity laws, officials could seize materials and prosecutors could bring criminal charges, so one determined campaigner could produce many cases. Public attention to seized items often grew, turning a ban into free publicity for the material.
It shows how censorship can backfire by drawing attention to forbidden material and mobilising defenders of free speech. The lesson remains relevant to debates about government pressure on speech today.
Ida Craddock was convicted in 1902 under Comstock's campaign and died by suicide. Her case drew a coalition of defenders, including the newly formed Free Speech League, which pushed for broader protection of speech.
George Bernard Shaw coined the term Comstockery as a shorthand for overreaching censorship.
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Illustrative photo · Photographer unknown; author of book Charles Gallaudet Trum…, Public domain, via Wikimedia Commons
