
arts, ideas & societyanalysisThe Public Domain Review18th-19th centuries · Princeton, New Jersey, USA
Death masks were plaster casts taken from the faces of the dead, and they faded once photography arrived
A death mask is a plaster cast made by pressing a mould onto the face of a person just after they died, usually after smearing the skin with tallow so the plaster would not stick. The practice was an old funerary custom that became fashionable in the eighteenth and nineteenth centuries, when people wanted memorial objects of famous figures in a new age of mass celebrity. It also overlapped with physiognomy, the belief that a person's character could be read in their features, so casts of great thinkers' foreheads were collected as evidence. The custom declined after the 1860s, as photography became the main way people remembered the dead. The casts still carry a strong sense of contact with the person they came from.
A mould is made directly on the face of a corpse, which captures the surface detail. Plaster poured into the mould sets into a faithful copy, and fine hairs caught in the mould can transfer into the cast.
Death masks show how a technology of memory can rise and fall, with photography replacing moulding as the main way to keep a face. Their mix of celebrity, science and grief makes them a revealing window into nineteenth-century ideas about genius and character.
Image: The Public Domain Review
