arts, ideas & societyThe Public Domain Review1799 · Spain
Goya's satirical prints of the 1790s and 1810s condemned superstition, ignorance and folly
Goya became deaf after a severe, undiagnosed illness in 1792 or 1793, and his work grew darker in the years that followed. Between 1797 and 1798 he made eighty aquatint etchings, published in 1799 as Los caprichos, which mock the superstition, ignorance and marital strife of Spanish society. Later, between 1815 and 1823, he produced a series of twenty-two prints called Los disparates, meaning The Follies. Published only in 1864, nearly thirty years after his death, under the title Proverbs, they are dreamlike images linked to political issues and Spanish sayings. Together the two series show Goya as a sharp social critic.
Goya's prints show that art can be a form of social criticism, and that his biting satire of superstition and privilege still reads as sharp today.
Goya's etching The Sleep of Reason Produces Monsters is one of the most famous images from Los caprichos.
Image: The Public Domain Review
