arts, ideas & societyThe Public Domain Review1872 · London

Gustave Doré's 1872 London ruin plate reflects a Victorian joke about a New Zealander sketching St Paul's

the gist

Gustave Doré's final plate for London: A Pilgrimage, published in 1872 with Blanchard Jerrold, shows a veiled figure sketching a broken St Paul's Cathedral from a ruined London. The figure is the New Zealander, a trope that Thomas Babington Macaulay made famous in the 1840s. He imagined a traveller from New Zealand sketching the ruins of London Bridge and St Paul's in the distant future. The idea of a future visitor to a fallen city was already older, with roots in 18th-century letters, and it was later used for many purposes. Doré's plate turns it from a cautionary note into a moody vision of decay.

so what

The image shows how a single rhetorical flourish can outlive its author and be reused for new meanings. Later writers used the figure for colonial irony and cultural critique.

Image: The Public Domain Review