historyThe Public Domain Review1868 · Britain and Ireland

Victorian colour prints made Anglo-Saxon and Irish manuscripts famous, including the Book of Kells

the gist

Anglo-Saxon and early Irish illuminated manuscripts were made in Britain and Ireland between about 500 and 1066 CE. In his 1868 book, the entomologist and art historian John Obadiah Westwood published chromolithographs of their decorated pages, copied from his own paintings. The plates show dense knotwork, animal forms and text woven into ornament, often in bold colours. Westwood saw them as the first chapter of a history of British fine art, and aimed to make the subject affordable. Their reproductions did much to fix how the Book of Kells looked in the Victorian imagination.

how it works

Lithography drew images on stone or plate with greasy ink that attracted ink in the printing, allowing multi-colour printing of detailed artwork. Chromolithography used a separate stone for each colour to reproduce manuscript paintings.

so what

Westwood's prints shaped how generations understood early medieval art, long before colour facsimiles were easy to make. They remain a useful record of manuscripts that are now fragile or dispersed.

fun fact

John Obadiah Westwood was also a founder of the Entomological Society of London.

Image: The Public Domain Review