historyWellcome Collection
Medieval pigments were medicines too, and vermilion was made from mercury
Conservator Cheryl Porter has spent years studying the pigments of medieval and early modern manuscripts, partly by trying to make them herself from old recipes. Her work took her to Armenia, where Ararat cochineal is made from the body of a female insect, Porphyrophora hamelii, and it takes months of soaking in alcohol to remove the fat. Saffron requires at least 60,000 stigmas to make 1 gram of yellow pigment. Vermilion, a bright red, was made by combining mercury and sulphur, and its use in medicine for syphilis and other illnesses often caused more harm than good. Indigo was used as a dye from at least 500 CE and was a closely guarded trade secret. Many colours had medical uses and could be bought at the pharmacy.
Understanding how these pigments were made helps conservators preserve manuscripts and paintings and tells historians about trade routes and workshop practice. It also shows how closely art, medicine and commerce overlapped before modern chemistry separated them.
Vermilion was so widely used by the 15th century that the painter Cennino Cennini noted it was easier to buy it from the druggist than to prepare it.
Wellcome Collection · CC BY 4.0
Illustrative photo · Dan Brady, CC BY 2.0, via Wikimedia Commons
