pop & fun·Wikipedia1985–1986 · Pyongyang, North Korea
Pulgasari, a North Korean monster film, was made by a South Korean director held captive by the regime
the gist
Pulgasari is a 1986 monster film directed by Shin Sang-ok while he was held in North Korea. Shin and his wife, the actress Choi Eun-hee, had been kidnapped in 1978 by agents working for Kim Jong Il. The film was a co-production between North Korea, Japan and China, and it was shot in Pyongyang on a budget of two to three million dollars, which was unusually high for North Korean cinema. It follows a metal-eating monster that a blacksmith's daughter brings to life to fight a monarchy in the Goryeo dynasty. The couple escaped to the United States in 1986, and the film was banned soon after its release. It later gained a cult following in Japan and abroad.
so what
The film is a rare documented case of a Cold War-era state film industry using a captured filmmaker to make a commercial genre film. It has become the most widely seen North Korean film internationally, which shows how cult cinema can outlast its original context.
fun fact
Pulgasari is the most widely seen North Korean film internationally.
From Wikipedia, the free encyclopedia · text CC BY-SA 4.0
In 1909 D. W. Griffith made a 14-minute film about a speculator who corners the wheat market and doubles the price of bread. A farmer sows his field while a 'Wheat King' gambles in the Chicago wheat pit; bakers raise the loaf from five cents to ten and the poor line up for bread. Griffith cut back and forth between the farm, the feast and the breadline, a technique called parallel editing, so audiences saw both ends of the economy at once. The film drew on Frank Norris's stories and on a real scheme: months earlier Chicago financier James Patten had cornered wheat, sent bread prices up and made about $5 million, roughly $185 million today.
how it works
To corner a market, a trader buys up most of the available supply and the futures contracts that promise more. Anyone who has to deliver the commodity must then buy from the cornerer at whatever price is demanded. The trader profits until the stock is released or the scheme collapses.
so what
A century on, it still shows how markets can be rigged by someone who controls supply, and how the people at either end, farmers and eaters, pay for it. It also helped establish editing as a way to argue a point, not just tell a story.
the bigger pattern
Corners have recurred whenever supply could be locked up, from the Hunt brothers' attempt on silver in 1979 to 1980 to the 'Black Friday' gold panic of 1869. Many such schemes end by collapsing, and the response is often new rules on speculation.
fun fact
In the film the Wheat King dies by falling into a grain elevator and being buried in the wheat he hoarded, an ending borrowed from Norris's novel The Octopus.
more on this
background
A Corner in Wheat is a 1909 American short silent film which tells of a greedy tycoon who tries to corner the market in wheat, destroying the lives of the people who can no longer afford to buy bread. It was directed by D. W. Griffith and adapted by Griffith and Frank E. Woods from a novel and a short story by Frank Norris, titled The Pit and "A Deal in Wheat". Griffith may have had a real-life inspiration: six months earlier, James A. Patten had actually cornered the market in wheat, and in some cities, the price of bread doubled from five cents to ten, just as in the movie.
In 1994, A Corner in Wheat was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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