arts, ideas & societyWikipedia1730s–1741 · London
Handel wrote Messiah after his Italian operas stopped selling and his oratorios started filling halls
By the early 1730s, London audiences were losing interest in Italian opera, and Handel's box-office receipts were falling. He had to rely on private subsidies from the nobility, which dried up once a rival company, the Opera of the Nobility, launched in 1730. Handel began writing English-language oratorios as alternatives to staged works, and Esther, revised for a 1732 London premiere attended by the royal family, was a hit. Three oratorios performed at Oxford's Sheldonian Theatre in 1733 drew such crowds that undergraduates reportedly sold their furniture for tickets. In July 1741 the librettist Charles Jennens sent him a new text, which became Messiah, and Handel's switch from opera to oratorio was complete.
Messiah became one of the most performed works in Western music, and its history shows how a composer's career can be reshaped by shifting audience taste and money. Handel's move from opera to English oratorio helped create a form that remains central to choral music.
Handel became a naturalised British subject in 1727 and was honoured with a statue in Vauxhall Gardens during his lifetime.
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