world cultures & travelanalysisThe Conversation: Arts + Culture (US)1960s · France

Jean-Luc Godard: how his prickly fragmented filmmaking asked all the right questions

the gist

Jean-Luc Godard was the last surviving major figure of the French New Wave, a late-1950s movement of young critics turned filmmakers who rejected polished studio conventions. His debut Breathless in 1960 used jump cuts, improvised-feeling scenes and digressions to bring Paris to life on screen. Through the 1960s he made films that stitched together genre plots, adverts, quotations and political debate, which made him the defining voice of that decade's restless youth. After 1968 he turned to experimental, politically charged work and became a more difficult figure for mainstream audiences.

so what

Godard showed that cinema could argue with its audience rather than simply entertain it, and his techniques, from jump cuts to collage, became standard vocabulary for later filmmakers. His death marks the end of the New Wave as a living generation.

fun fact

Breathless was made on a small budget and shot largely on the street with minimal equipment, which helped give it its loose, handheld energy.

The Conversation

Illustrative photo · Gary Stevens, CC BY 2.0, via Wikimedia Commons