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Wallace & Gromit were shot one frame at a time, at roughly 30 frames per animator per day
Wallace and Gromit films are made with stop-motion animation: models of plasticine characters are moved a fraction of an inch between each photograph, and the camera captures one frame at a time. A film runs at 24 frames per second, so even a half-hour short such as A Close Shave takes enormous effort to produce. Animators typically complete around 30 frames each day. Effects that were impossible to build with clay, such as the fire, smoke and floating bunnies in The Curse of the Were-Rabbit, were handled by the computer animation firm MPC, which studied the physical sets for three months so its digital bunnies would match the clay ones. The 2005 Aardman studio fire destroyed most of the original models, though a few survived in museums.
The film's handmade look is the product of a slow, painstaking process, and seeing how it works changes how you watch the frames. The bunny effects also show how traditional and digital animation were combined to keep a consistent look.
The Wallace and Gromit theme tune was used to wake astronauts aboard the space shuttle mission STS-132 in 2010.
From Wikipedia, the free encyclopedia · text CC BY-SA 4.0
Illustrative photo · Rundvald, CC BY-SA 4.0, via Wikimedia Commons
