arts, ideas & societyThe Public Domain Reviewc. 1500–1529 · Basel, Switzerland
A Swiss Renaissance artist drew mercenaries from the inside, as one himself
Urs Graf the Elder was a Swiss goldsmith, printmaker and draughtsman active in Basel in the early 1500s, and also a mercenary who fought in the wars of the era. That gave his drawings an insider's view: ragged soldiers, camp followers and sex workers, rendered in nervy pen lines. Where many Renaissance artists idealised war, Graf showed its violence and vice. Scholars read an impotent melancholy in the nightmarish scenes, as if the figures were trapped in the lives they led. He also had a record of brawling and misconduct that landed him in trouble with Basel's authorities.
Swiss mercenaries were a major military force in Renaissance Europe, and Graf's work is a rare picture of that world by someone who lived in it. His drawings sit apart from the polished courtly art of the time.
background
Urs Graf (c. 1485 in Solothurn, Switzerland – possibly before 13 October 1528) was a Swiss Renaissance goldsmith, painter and printmaker (of woodcuts, etchings and engravings), as well as a Swiss mercenary. He only produced two etchings, one of which dates from 1513 – the earliest known etching for which a date has been established. However, his woodcuts are considered of greater significance, particularly as he is attributed with the invention of the white-line woodcut technique, where white lines create the image on a black background. He also produced a few engravings, including copies of works by Martin Schongauer and Albrecht Dürer. He produced innovative drawings intended as finished works of art rather than just studies.
From Wikipedia: Urs Graf (CC BY-SA 4.0) ↗ · text CC BY-SA 4.0see
key facts
- Born
- 1485
- Died
- 1528
- Known as
- painter, printmaker
Facts: Wikidata (CC0)
Image: The Public Domain Review
