arts, ideas & societyanalysisThe Conversation: Arts + Culture (US)1942 · USA
How Dorothea Tanning’s ‘Birthday’ painting challenged male-dominated surrealism
Dorothea Tanning painted Birthday in 1942, a self-portrait in which she stands barefoot and bare-chested in a corridor lined with receding doors, with a winged feline at her feet. Many male surrealists cast women as muses or dream figures for the male gaze, but Tanning placed herself at the centre and looks directly out at the viewer. The painting uses surrealist techniques such as dream logic and metamorphosis, with the doors suggesting either confinement in domestic life or endless possibilities. Tanning drew the image from her New York apartment, where a line of doors inspired a dream of countless doors. Her work helped reshape how women's agency was understood within surrealism.
The painting reframes surrealism by showing that women artists were using its dream language to assert their own identity. It is a good starting point for seeing the movement's gender politics.
background
Dorothea Margaret Tanning (25 August 1910 – 31 January 2012) was an American painter, printmaker, sculptor, writer and poet, whose early work was inspired by Surrealism.
From Wikipedia: Dorothea Tanning (CC BY-SA 4.0) ↗ · text CC BY-SA 4.0see
key facts
- Born
- 25 August 1910
- Died
- 31 January 2012
- Known as
- painter, sculptor
Facts: Wikidata (CC0)
The Conversation
Illustrative photo · willy mucha, CC BY-SA 4.0, via Wikimedia Commons
